Some Music, Baby Body, Cat Body, More Entities in the Studio for second photo shoot…

As I frequently do, I’ll start with the music. Jerusalem in my Heart is a group out of Montreal. Just when I think I’ve found the music that I love the most, I come across something that bumps it out of the way. “that’s the sound I’ve been looking for”, I think to myself, when the new music arrives. And I live, breathe, obsess about the new music until something else arrives out of nowhere.

Here is a link to Jerusalem in my Heart, including a whole bunch of information about the group, and some music samples.

Baby Body

After spending another few hours in the photography studio photographing the entities again, but this time in groupings of two, three, or four (or more), a process during which I became more intimate with each of their personalities, I came away with a concept that will, in a large format that I won’t share here (yet) include the wooden figures I made last year, the white skeletal entities I made in the summer, and the current figures that I’m working on and sharing here now. As part of this concept where I’m starting to see how the figures are “related”, I decided it was time to make a baby. Here is the first baby, and it is called “Before I Was Born”; it’s not really supposed to be me, but that’s the title that popped into my head, so there you go.

Before I Was Born LaDoll air dry stone clay, two inches by one inch. View #1.

I also finished Cat Body since my last post. Baby Body (before I was born) and Cat Body, as well as being part of the larger work I creating, are also part of my assignment for 3D design and integrated studies at the college.

Here is Cat Body.

Cat Body. Six inches high at the head, and ~8 inches from ear to tip of tail. This is the first time I’ve used water colour on one of these figures, and I think this figure might be the transitional figure as I move away from using acrylic (plastic) paint to the more environmentally friendly watercolours. I was really intrigued to watch as the watercolour paint filled the cracks and imperfections of the cat’s head, feet, and tail, and I think there might be some great opportunities to explore in that relationship between the paint and the clay.

Entities in studio for second photoshoot

I have the studio booked again for photoshoots on November 9 and 10. Each time I go into the studio I’m adding the new entities and learning more about their interrelationships.

It takes a really long time to upload each photograph to WP, so I’m only including a small handful of the 200 or so that I took last week. Also, most of them are kind of crappy, so I’ll try to include only those that I think capture some of what I’m trying to express. I have annotated the photographs, as all the entities are “named” now, and it will provide a sense of the narrative.

The Empath is sitting next to The Dreamer, who is in the final hours of life. An entity looks on from behind. The Empath is present during the limen, as the ailing dreamer is about to pass through.
Opera Singer, consoled by her earthly consort, The Cowpoke, expresses deep sorrow.

The Receiver/The Dreamed (the figure on the left has two names) sits with the Opera Singer next to The Dreamer.
The Opera Singer and The Receiver/The Dreamed recede as The Dreamer prepares to leave.
Two unnamed entities watch over the moment when the breath stops moving in and out of The Dreamer.
Time arrives to claim the breath.
The Empath attempts to intercede, but Time will not be stopped.
The veil is thin.
Time claims breath, The Dreamer ceases to dream.
Dog Body accompanies Time as it backs away.
Gold Fallen From the Hem of Her Dress embraces the departed Dreamer.

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