Keep Your Sisters Close, when you shed that stuff where does it go?, Blue Balm, untitled, The Open Door, So Many Words, unflinching glimmer of a smile

This post closes off the summer of 2022, a time during which I spent making adjustments to my “self” and which culminated in learning that I had received a BC Arts Council scholarship, an award that requires that I study art full time this coming academic year. This means that I will be entering new territories, both in terms of the challenges that my courses offer me and in terms of continuing to grow personally, the deeper I get into the third act. As a friend pointed out to me, I am a “free agent”, and free agency means, for me, being able to explore my humanity as deeply as my imagination can take me. At this point in my life, this exploration is enabled through visual art and to a lesser extent, through writing.

Keep Your Sisters Close, 20″ x 26″; charcoal and pastel
“when you shed that stuff where does it go?”, 22″ x 26″, pastel, India ink, and charcoal.
“Blue Balm”, 22″ x 26″, pastel and charcoal.
Untitled; 26″ x 22″; pastel and acrylic ink.
The Open Door, 22″ x 26″, pastel.
So Many Words, 22″ x 26″, pastel.
unflinching glimmer of a smile, 22 x 26, pastel.

Student Incubator at the Comox Valley Art Gallery (CVAG) and moving on to making pottery…

it’s quite odd to see many of the figures that I have been working on over the past six months sitting in the window of the local art gallery.
I’ve tried to keep the exhibit dynamic by moving the figures around among the three plinths, onto the floor, and onto the four wooden crates in the window.
The wire-only figure on the right is a new addition, created since the exhibit went up.
And the wire figure on the far left is another new addition, also created since the exhibit first went up.
Pottery
This piece is entitled “open” and is the first coil piece I tried.
I think of these two vessels as “monstrosities”, and when I told one of my instructors that I thought of them in that way, she suggested I make a third one. So I did.
The third monstrosity is not yet complete, and to be fair, I don’t call them “monstrosities”, but instead have entitled them “One of Three”, “Two of Three”, and “Three of Three”.
“Three of Three” closer look.
“Three of Three” base, which will need to be retextured.
These vertical coils are meant to represent underwater grass, and I like the way they swirl and twist around one another.