end of semester roundup (April 2023)

I’ve just come up for air after another semester at school. I think I have two more required courses to complete before I gain my diploma, which will take me to April 2024.

Here are the pieces that I created in drawing and printmaking courses. And maybe a couple that I made on my own time (I can’t recall if I had any of my own time)

The first drawing immediately below is part of an exercise in drawing class. First, I had to draw something that I would not ordinarily draw, something that I “hate”, for whatever reason: colour, medium, line use. So I drew a princess who came with a saying:

The second part of the assignment involved converting the first drawing into another drawing, working on top of it and doing whatever I needed to do to make the next drawing. I ended up with this:

Also, I continued to go to the gym.

In printmaking, I created my first linocut, entitled “Measure by Cod”.

I think the following sketch would have made an interesting screen print.

Instead, though, I opted to convert a drawing I had done last June for the basis of a screen print. First, below, the drawing (pastel), and then the screen print. I had called the drawing “Re-evolution” (for reasons that are now lost to me) and the screen print has the title of “Cod Surfing”.

In printmaking we also did an etching; I had grand ideas for the etching, but it didn’t turn out as I had hoped. I’ll post it here anyway, but without explaining the grand idea.

In drawing we had two other assignments: model studies that we did in class, and a drawing project for which we had to write a proposal…and then carry it through.

One of the model studies involved drawing a live model who sat and played the drum for different lengths of time. At one point we were to prepare a substrate for our model drawing, and using acrylic paint, I created two backgrounds for two 30 minute drawings. Here are the backgrounds and the drawings that they became. I think I may eventually return to the first drawing to get rid of the Homer Simpson-looking head; the second completed drawing below is called “Heartbeat”.

For the other drawing project, I had to write a proposal for what I intended to do, and I planned to use thick card board sheets and use markers to draw a series of 10 pieces, each of which would be a depiction of a “transit”; I was thinking of all the changes I had gone through in my life, and was currently going through, and saw myself as moving through a series of portals. I saw each of the ten pieces as a part of an autobiographical graphic novel. Things did not go exactly as planned, which is exactly why I like proposals: they just show you where you started and where you ended up. I won’t include all the process photographs in here, but this is what I ended up with…each section of the nine is 20 x 24 inches, which means the total size of the drawing is 60″ x 66″; I used markers for the most part, and the large black bird was made with oil stick. Maybe it’s needless to say that I have left behind the idea of turning this into a graphic novel, as the black bird pulls all the separate panels into one. Of course I have process photographs, so I suppose it is not impossible.

The following drawings are all from after the end of school. I’m living a bit of an ungrounded life at the moment, so I’m working very small scale and allowing myself to be a bit silly. Here is the silliness from my 11 x 14 sketchbook:

Finally, here are some photographs of me, included here because in all three of them I am goofing around. For the last two, I was pretending that I was sitting for my book jacket photograph; it seems important to have one’s hands under one’s chin, and in my case it’s a good idea to keep my neck covered.

And finally finally, here is the book that I am reading to keep my mind occupied while my access to comfortable drawing spaces is limited.

Maybe that wasn’t really the finally finally. Music. I’ll end with some music. I “found” the following piece, mentioned in an article I had been reading about some of the most sublime art ever made. I had never heard of it, or heard it. Now I’m listening to it over and over again so that it becomes part of my cellular structure.

seasonal break…

…is over tomorrow…and I return to the classroom, this time to take three classes. I had registered in five classes, in part in an attempt to bring my “schooling” to a close, and to focus on drawing/sculpting, whatever, outside of an academic setting. At some point I really need to stop going to a school, although I’ve come to wonder if there is some sort of astrological arrangement that condemns me to formal classrooms into infinity.

This winter I’ll be taking the second half of a second year drawing class, a first year art history class that I’ve been avoiding, and a philosophy of art class, which I’ve been looking forward to. Kind of. After this year, I think I’ll have one or two more credits to complete before I can get my diploma, and the two year diploma will have taken me four years. Next year I’ll take a couple of printmaking classes and the second half of the required first year painting class.

WRITTEN IN EARLY DECEMBER:

…as soon as school ends, I experience a burst of new creativity; I feel as if I must draw something that is undefined by an assignment but which comes from inside of me. I’d like to get at least ten drawings completed, six of them on 8ft x 3ft paper.

This drawing, which started out being an anti-red piece, eventually morphed into an “ode to the release of colour”. Elements of red-dislike remain in the drawing, so clearly there is something to figure out in there. The following drawings begin with the finished piece and then show a few close-ups.

This first one feels like a warm-up, a precursor to the much larger ones that follow.

the following drawing is entitled: “the girls loved their mother but they did not understand her” (8 ft x 3 ft; pastel and charcoal on heavy duty flooring paper)

some day I may say more about this drawing, or I may draw more on this theme. I am attracted to representing women at the many stages of their lives.

Solstice drawing (completed December 21, 2022)

“the returning light brings its own new darkness”

8 ft x 3 ft; pastel and charcoal on heavy duty flooring paper.

this drawing expresses the human condition as I see it: that our light embraces the darkness within. I suppose another drawing might express the opposite. I am a fan of the dark side of being human.

“Nashville Cats”, 8ft x 3ft, pastel on brown paper.

This drawing is based on a photograph of her two cats posted on IG by a friend. With permission. The cats remind me of the cats I painted for “Lola’s Blue Cats”. I like their playfulness.

I had hoped to draw six very large (8 feet by 3 feet) drawings over the break, but I found the sheer amount of pastel I was consuming to make the drawings to be financially prohibitive. And raised the question for me…why draw these very large drawings using very expensive materials for no particular purpose other than to draw them?

These three are rolled up on a shelf, and will likely remain that way until some person in the future decides they must be recycled. This thought raises questions of meaning…and purpose.

Anyway, I decided to draw the next few drawings on a much smaller scale, which is less fun but more economical. I do like those very large drawings; I like the feeling of drawing big, and as I draw big, I feel like I’m emphasizing the importance of whatever it is I think I’m saying in the drawing that goes beyond just the drawing itself…kind of the energy that informs the drawing. I think that having titles for my drawings that are a snippet of the stories I’m telling myself while I’m drawing are part of that impulse to express something that I think is important.

The following drawing, completed on December 26, entitled “Peter with red umbrella”. I consider this one to be a “study” for a more complex drawing that I will need to do a few different studies for. I won’t get them all done during this break, but this starter piece has given me some ideas that I’ll work with for subsequent pieces; I think it might take me a while to “get it right”.

35″ x 23″, pastel.

“Thinking by a window”. 35″ x 23″, pastel.

I spend time with my granddaughter, Lola. While she is active, I try to make quick sketches of her. Here are two drawings that came about as a result of some sketches, and then the sketches follow.

The next drawing is called “Girls in Dresses, Part I”. I’m not sure if there will ever be any other parts, but my intention had been to make several parts over the break. But I got to the point where I needed a break from drawing, and instead of continuing with the series, I rested quite a bit.

“Girls in Dresses, Part I” is based on my granddaughter’s love of dresses and of movement. I am also inspired by Rumer Godden’s 1955 book called “Impunity Jane, the story of a pocket doll”, my favorite book for most of my life.

This drawing is really a study, and my intention had been to make the subsequent drawings more detailed. I have no idea if I will return to this series, or if it will end at part 1, or merely pause for months or years.

sketches of my muse:

the muse:

Semester round up.

I haven’t posted anything since early October, and that’s because I’ve been going to art school and working on assignments that look like…assignments. But I have done a few things and I’ll post them here.

The Birth of Colour

Some raku

Scorpion Eater

Versions of my self looking back at me

Woman with many arms

Self (unbearable weight of being)

untitled drawing (6 feet by 8 feet)

After the end of semester…

I feel compelled to draw things that I really want to draw, that aren’t assignments. Here are three drawings that come from that sense of relief I feel once a semester (and assignments) are complete. Pastel and charcoal, model studies of live model.

Keep Your Sisters Close, when you shed that stuff where does it go?, Blue Balm, untitled, The Open Door, So Many Words, unflinching glimmer of a smile

This post closes off the summer of 2022, a time during which I spent making adjustments to my “self” and which culminated in learning that I had received a BC Arts Council scholarship, an award that requires that I study art full time this coming academic year. This means that I will be entering new territories, both in terms of the challenges that my courses offer me and in terms of continuing to grow personally, the deeper I get into the third act. As a friend pointed out to me, I am a “free agent”, and free agency means, for me, being able to explore my humanity as deeply as my imagination can take me. At this point in my life, this exploration is enabled through visual art and to a lesser extent, through writing.

Keep Your Sisters Close, 20″ x 26″; charcoal and pastel
“when you shed that stuff where does it go?”, 22″ x 26″, pastel, India ink, and charcoal.
“Blue Balm”, 22″ x 26″, pastel and charcoal.
Untitled; 26″ x 22″; pastel and acrylic ink.
The Open Door, 22″ x 26″, pastel.
So Many Words, 22″ x 26″, pastel.
unflinching glimmer of a smile, 22 x 26, pastel.

self-portrait # 20, Bitumen Shower, Unfinished Finished (people on a ferry); Only a Matter of Time; Sources

S.P. #20, 20″ x 24″, charcoal and pastel.
Bitumen Shower, 20″ x 24″, charcoal and a soupcon of pastel.
Unfinished Finished (people on the ferry), 20″ x 26″, pastel.
Only a Matter of Time, 20″ X 26″, pastel and charcoal.
Sources, 20″ x 26″; pastel and charcoal.

pink mist; some untitled pieces, experiments in colour; also moving on to figure drawings using a wooden model

This next sketch is a wip. I’m not sure what to do with the head; also, the spikes on the head really need a lot of work. I might try to make another version of this, fixing the head.

Pink Mist. 20″ x 26″. Charcoal, pastel, acrylic. WIP.
untitled, 22 x 30
untitled, 20″ x 26″
untitled, 20″ x 26″
figure studies
figure studies

she took to her bed with a terrible illness, 2 untitled pieces, 4 eggs, and woman with red straps

she took to her bed with a terrible illness, 22″ x 30″, charcoal with pastel.

inspired by Hollyhock Flats, across the river from where I walk and live
playing around with a piece I did in drawing class this past winter by adding coloured lines
4 eggs.

I’m taking a drawing course through the Banff Centre this spring, a course which focuses on drawing with pencils, something I avoided doing in my college drawing classes by always opting for charcoal. But, I felt that I wanted to dedicate some time to drawing with graphite, and this course popped up in my FB feed. We are drawing eggs. Day 1, I drew one egg. Day 2, two eggs, and so on. These are the four eggs I drew on day four. I’m not getting better at drawing eggs yet, but the great thing about drawing is that I can SEE what I am doing better or not doing better. Doing something “better” doesn’t necessarily result in a better drawing, though.

woman with red straps, 22″ x 30″, charcoal and pastel.