I haven’t posted anything on this blog for a few months because I’ve been busy, but here are some photographs of some of the work I did in school and out of school since February. My focus this semester was ceramics and drawing, and I’m trying to use materials that are as natural as possible. My question is: how do I make things while at the same time thinking that there are enough things in the world already? I liked working with clay because that’s like working with the earth: some people love gardening, and I love getting my hands into the clay. I didn’t think I would. And what do I draw? I tried to draw with charcoal and pastel, avoiding plastics. Do we need more plastic? No. And I tried to draw things that I am concerned about: the impacts of climate change on water, air, animals (including people).
The series of ceramics sculptures entitled Open 1, Open 2, Open 3, and Open 3.2 (immediately below) are pieces through which I was trying to express the ways in which my relationships nurture me. I used a different glaze for each of the pieces, and tried two different firing processes, Raku and Cone 10.
This next series of drawings have been embarked upon since school ended in early April. My relationship with colour in my drawings has been tentative, so my first project for the intersession is to push myself into adding colour to drawings, while also staying with the theme of environmental degradation.
I’ve been experimenting with rawhide for the past couple of weeks, but took a break for four days, more or less, over Christmas. I bought some pieces of rawhide “seconds”, and had wanted to see how they would look wrapped around some wires, so I constructed a few wire armatures and started wrapped the hydrated rawhide around the wires. I tried sewing some pieces together while wet, but that proved to be difficult, so I bought a leather punch, which made things much easier.
However, I also made a couple of pieces without any rawhide, and they are much cleaner to look at.
Here are some photographs of five different wire sculptures, three with rawhide and two without.
And, finally, some photographs of cloth (painting tarp, actually)
As I frequently do, I’ll start with the music. Jerusalem in my Heart is a group out of Montreal. Just when I think I’ve found the music that I love the most, I come across something that bumps it out of the way. “that’s the sound I’ve been looking for”, I think to myself, when the new music arrives. And I live, breathe, obsess about the new music until something else arrives out of nowhere.
Here is a link to Jerusalem in my Heart, including a whole bunch of information about the group, and some music samples.
After spending another few hours in the photography studio photographing the entities again, but this time in groupings of two, three, or four (or more), a process during which I became more intimate with each of their personalities, I came away with a concept that will, in a large format that I won’t share here (yet) include the wooden figures I made last year, the white skeletal entities I made in the summer, and the current figures that I’m working on and sharing here now. As part of this concept where I’m starting to see how the figures are “related”, I decided it was time to make a baby. Here is the first baby, and it is called “Before I Was Born”; it’s not really supposed to be me, but that’s the title that popped into my head, so there you go.
I also finished Cat Body since my last post. Baby Body (before I was born) and Cat Body, as well as being part of the larger work I creating, are also part of my assignment for 3D design and integrated studies at the college.
Here is Cat Body.
Entities in studio for second photoshoot
I have the studio booked again for photoshoots on November 9 and 10. Each time I go into the studio I’m adding the new entities and learning more about their interrelationships.
It takes a really long time to upload each photograph to WP, so I’m only including a small handful of the 200 or so that I took last week. Also, most of them are kind of crappy, so I’ll try to include only those that I think capture some of what I’m trying to express. I have annotated the photographs, as all the entities are “named” now, and it will provide a sense of the narrative.
The word “desiderium” means “desire, characterized by grief, because the desire can never be met”.
This tableau that I pulled together out of various elements is meant to represent the entities surrounding a person in their last hours. The first photograph, which tries to capture everything, is a fail, so I’ve added a number of other photographs to focus on some of the individual elements. The shell hanging in the middle is a pendulum and the small book covered in cellophane is a book of poems called “Loveletting”, in which each of five poems is an attempt at loveletting, a word based on the concept of bloodletting. A band called Sons of an Illustrious Father has a song called “Loveletting” (lyrics here: https://www.musixmatch.com/lyrics/Sons-of-an-Illustrious-Father/Loveletting), and here is a YouTube video of the song by the actual band (sound, no visuals: https://www.youtube.com/watch?v=duOKZHs7-LY), but other than that I could not find it mentioned anywhere on the big bad interwebs. I used the word and then later found the song by Sons of an Illustrious Father.
I made two more entities this week. They each have a set of wings, although it’s difficult to see them in these pictures. More to come.
Last year I saw some art that used sausage casing…hmmm…I can’t recall who the artist was, so I’ll have to look that up and update this post later, if I can find her.
I want to use sausage casing for the wings on this second entity, so before diving in, I did a test.
I then cut off a piece of sausage casing from one of the strings of casing, dipped it in water, and wrapped the casing around part of the wire, to see what would happen.
The casing immediately became very difficult to handle as the water made it very slippery. Next time, a bit less water before wrapping it around the wire, and maybe use tweezers to handle the wet casing.
Entities on a Window Sill
I’ve found a couple of squashes to turn into gourds, and one, or both of them, will become a lyre. I also have a set of eight strings ready. This project will likely take me a year or longer. Updates kept here.