Some Music, Baby Body, Cat Body, More Entities in the Studio for second photo shoot…

As I frequently do, I’ll start with the music. Jerusalem in my Heart is a group out of Montreal. Just when I think I’ve found the music that I love the most, I come across something that bumps it out of the way. “that’s the sound I’ve been looking for”, I think to myself, when the new music arrives. And I live, breathe, obsess about the new music until something else arrives out of nowhere.

Here is a link to Jerusalem in my Heart, including a whole bunch of information about the group, and some music samples.

Baby Body

After spending another few hours in the photography studio photographing the entities again, but this time in groupings of two, three, or four (or more), a process during which I became more intimate with each of their personalities, I came away with a concept that will, in a large format that I won’t share here (yet) include the wooden figures I made last year, the white skeletal entities I made in the summer, and the current figures that I’m working on and sharing here now. As part of this concept where I’m starting to see how the figures are “related”, I decided it was time to make a baby. Here is the first baby, and it is called “Before I Was Born”; it’s not really supposed to be me, but that’s the title that popped into my head, so there you go.

Before I Was Born LaDoll air dry stone clay, two inches by one inch. View #1.

I also finished Cat Body since my last post. Baby Body (before I was born) and Cat Body, as well as being part of the larger work I creating, are also part of my assignment for 3D design and integrated studies at the college.

Here is Cat Body.

Cat Body. Six inches high at the head, and ~8 inches from ear to tip of tail. This is the first time I’ve used water colour on one of these figures, and I think this figure might be the transitional figure as I move away from using acrylic (plastic) paint to the more environmentally friendly watercolours. I was really intrigued to watch as the watercolour paint filled the cracks and imperfections of the cat’s head, feet, and tail, and I think there might be some great opportunities to explore in that relationship between the paint and the clay.

Entities in studio for second photoshoot

I have the studio booked again for photoshoots on November 9 and 10. Each time I go into the studio I’m adding the new entities and learning more about their interrelationships.

It takes a really long time to upload each photograph to WP, so I’m only including a small handful of the 200 or so that I took last week. Also, most of them are kind of crappy, so I’ll try to include only those that I think capture some of what I’m trying to express. I have annotated the photographs, as all the entities are “named” now, and it will provide a sense of the narrative.

The Empath is sitting next to The Dreamer, who is in the final hours of life. An entity looks on from behind. The Empath is present during the limen, as the ailing dreamer is about to pass through.
Opera Singer, consoled by her earthly consort, The Cowpoke, expresses deep sorrow.

The Receiver/The Dreamed (the figure on the left has two names) sits with the Opera Singer next to The Dreamer.
The Opera Singer and The Receiver/The Dreamed recede as The Dreamer prepares to leave.
Two unnamed entities watch over the moment when the breath stops moving in and out of The Dreamer.
Time arrives to claim the breath.
The Empath attempts to intercede, but Time will not be stopped.
The veil is thin.
Time claims breath, The Dreamer ceases to dream.
Dog Body accompanies Time as it backs away.
Gold Fallen From the Hem of Her Dress embraces the departed Dreamer.

Assemblage of entities into a tableau: “desiderium”, Loveletting, Sons of an Illustrious Father, poems, Odyssey

The word “desiderium” means “desire, characterized by grief, because the desire can never be met”.

This tableau that I pulled together out of various elements is meant to represent the entities surrounding a person in their last hours. The first photograph, which tries to capture everything, is a fail, so I’ve added a number of other photographs to focus on some of the individual elements. The shell hanging in the middle is a pendulum and the small book covered in cellophane is a book of poems called “Loveletting”, in which each of five poems is an attempt at loveletting, a word based on the concept of bloodletting. A band called Sons of an Illustrious Father has a song called “Loveletting” (lyrics here: https://www.musixmatch.com/lyrics/Sons-of-an-Illustrious-Father/Loveletting), and here is a YouTube video of the song by the actual band (sound, no visuals: https://www.youtube.com/watch?v=duOKZHs7-LY), but other than that I could not find it mentioned anywhere on the big bad interwebs. I used the word and then later found the song by Sons of an Illustrious Father.

Desiderium (full on view)
Desiderium (with focus on far left entity and poetry booklet)
Desiderium (with focus on silver entity and reclining figure under light blanket)
Desiderium (with focus on far right entities)
Desiderium (with focus on shell pendulum)
Desiderium (reclining figure with wires)

Assemblage (assignment), Bacon Grease, Two New Figures, Entities on a Window Sill, Working with Sausage Casing, Lyre-Making Progress, The Skateboarder and the Angelfish Progress (another longterm assignment)

I gathered together these five items and MIGHT make an assemblage from them for FIN 140, Creative Processes.
Bacon Grease on the bottom of a pan.

I made two more entities this week. They each have a set of wings, although it’s difficult to see them in these pictures. More to come.

Last year I saw some art that used sausage casing…hmmm…I can’t recall who the artist was, so I’ll have to look that up and update this post later, if I can find her.

I want to use sausage casing for the wings on this second entity, so before diving in, I did a test.

I grabbed a random piece of wire and twisted it, also randomly.

I then cut off a piece of sausage casing from one of the strings of casing, dipped it in water, and wrapped the casing around part of the wire, to see what would happen.

The casing immediately became very difficult to handle as the water made it very slippery. Next time, a bit less water before wrapping it around the wire, and maybe use tweezers to handle the wet casing.

I dabbed a small amount of blue acrylic paint (Golden transparent phthalo blue green shade high flow acrylic).
I like the way that the blue infuses the cracks of the sausage casing. I think I’ll try doing the same thing with some watercolour paint to see what the difference is. I left this to dry overnight.
This is what the dried sausage casing with dried acrylic paint looks like this morning. I like the look, but will also try using watercolour paints to see if I can get a subtler look.
Sausage casing infused with watercolour cobalt blue hue is a much better fit for the entity.
Entity is painted and one wing has been added. Paint will be repainted and details added.
Entity is painted.

Entities on a Window Sill

This morning’s rising sun looked great on the entities on the windowsill, casting shadows on their bodies and reflections onto the window behind. Well done, Sun and Entities!
The orb of an interior light fixture reflects onto the window, providing a backdrop for the entities.

Lyre-Making Progress

I’ve found a couple of squashes to turn into gourds, and one, or both of them, will become a lyre. I also have a set of eight strings ready. This project will likely take me a year or longer. Updates kept here.

The Skateboarder and the Angelfish

I made this watercolour drawing in 2019.
Here’s the armature for the first maquette. The long term goal is to create a life-size sculpture, using duoMatrix-G. Right now there are two test pieces of duoMatrix-G sitting outside to see how they fare in the weather. This armature will be covered with Plastilene, which will allow me to change the configuration of the arms and legs because as an oil-based non-drying clay, it will not harden. After I decide on the position of the body, I’ll make another armature with the “final” posture, and use LaDoll clay and work on more accurate body proportions to see how it all works together.
Here is the armature with some Plasteline on it. The pants need to get narrower at the ankles. I can work on that on the next armature, as well.