Some Music, Baby Body, Cat Body, More Entities in the Studio for second photo shoot…

As I frequently do, I’ll start with the music. Jerusalem in my Heart is a group out of Montreal. Just when I think I’ve found the music that I love the most, I come across something that bumps it out of the way. “that’s the sound I’ve been looking for”, I think to myself, when the new music arrives. And I live, breathe, obsess about the new music until something else arrives out of nowhere.

Here is a link to Jerusalem in my Heart, including a whole bunch of information about the group, and some music samples.

Baby Body

After spending another few hours in the photography studio photographing the entities again, but this time in groupings of two, three, or four (or more), a process during which I became more intimate with each of their personalities, I came away with a concept that will, in a large format that I won’t share here (yet) include the wooden figures I made last year, the white skeletal entities I made in the summer, and the current figures that I’m working on and sharing here now. As part of this concept where I’m starting to see how the figures are “related”, I decided it was time to make a baby. Here is the first baby, and it is called “Before I Was Born”; it’s not really supposed to be me, but that’s the title that popped into my head, so there you go.

Before I Was Born LaDoll air dry stone clay, two inches by one inch. View #1.

I also finished Cat Body since my last post. Baby Body (before I was born) and Cat Body, as well as being part of the larger work I creating, are also part of my assignment for 3D design and integrated studies at the college.

Here is Cat Body.

Cat Body. Six inches high at the head, and ~8 inches from ear to tip of tail. This is the first time I’ve used water colour on one of these figures, and I think this figure might be the transitional figure as I move away from using acrylic (plastic) paint to the more environmentally friendly watercolours. I was really intrigued to watch as the watercolour paint filled the cracks and imperfections of the cat’s head, feet, and tail, and I think there might be some great opportunities to explore in that relationship between the paint and the clay.

Entities in studio for second photoshoot

I have the studio booked again for photoshoots on November 9 and 10. Each time I go into the studio I’m adding the new entities and learning more about their interrelationships.

It takes a really long time to upload each photograph to WP, so I’m only including a small handful of the 200 or so that I took last week. Also, most of them are kind of crappy, so I’ll try to include only those that I think capture some of what I’m trying to express. I have annotated the photographs, as all the entities are “named” now, and it will provide a sense of the narrative.

The Empath is sitting next to The Dreamer, who is in the final hours of life. An entity looks on from behind. The Empath is present during the limen, as the ailing dreamer is about to pass through.
Opera Singer, consoled by her earthly consort, The Cowpoke, expresses deep sorrow.

The Receiver/The Dreamed (the figure on the left has two names) sits with the Opera Singer next to The Dreamer.
The Opera Singer and The Receiver/The Dreamed recede as The Dreamer prepares to leave.
Two unnamed entities watch over the moment when the breath stops moving in and out of The Dreamer.
Time arrives to claim the breath.
The Empath attempts to intercede, but Time will not be stopped.
The veil is thin.
Time claims breath, The Dreamer ceases to dream.
Dog Body accompanies Time as it backs away.
Gold Fallen From the Hem of Her Dress embraces the departed Dreamer.

Skipping Man, Horse (maybe? no. not yet), school stuff, and lyre-making research

Remember this hanging blue figure from last week?

Well, I gave it a body and a HEAD! Oh my gosh, his head is awful.

Wrinkles on his forehead.

The cat mostly ignores me until I start to work on these figures. Here the cat is starting to chew on the small copper coloured wire bits that I inserted into the end of the scarf as tassels.
This view shows the Skipping Man with his feet glued to the base, and the base partly painted with bronze paint. The front foot is surrounded by LaDoll clay. I know better; I should keep the feet to the end and put the wires from the armature into drilled holes in the wood. Having to stabilize the figure this way with paint containers while the glue dries is not really the right way to do things.

The scarf has been painted, but I still have a few more details to add on the scarf, and I need to remove the paint containers and paint the rest of the base.

At this point I’m starting to get excited about putting on the finishing touches and looking at the whole ridiculousness of what I’ve created.

And, and, and…

Art School stuff:

one of the courses I am taking (I am taking two) is called Creative Processes. The first assignment is to make an assemblage.

I had an assignment which I documented elsewhere (in an actual physical process book, and on my school blog), so I won’t include all the process documentation here. But here are some photographs I took along the way.

Research

My Modern Met, from June 9, 2017, has a full article with photographs of wire sculptures. I’d like to get to the point where I can work JUST in wire, and have it look good. For now, though, I’ll continue on the current trajectory until I’ve learned everything that I want to learn.

I can’t include the link to the Met here, because the Met doesn’t seem to allow itself to be linked to (?).

Last year I thought I’d like to try to make a lyre. I found a great website describing how to do so, and I put the idea aside until this fall, when I’d be able to find some gourds at the market.

How to make a lyre with a gourd:

http://www.crab.rutgers.edu/~pbutler/greeklyre.html

How to dry a gourd:

https://www.thespruce.com/how-to-dry-or-cure-gourds-1403445

Tardigrades and other stuff including the cowpoke, the horse, and the opera singer

I don’t actually have much new to add this week. I started school AND I was really tired so I took too many naps.

But, I did “finish” the cowpoke, and here are some photographs of the cowpoke, and then some with the cowpoke and opera singer.

You can just see one of the spurs in front of the green. I had to embed the cowpoke’s feet into a bed of stones, all held together with glue gun glue. The boots feel apart at one point, so I also had to rebuild them. The belt buckle has an “A” on it, put there not to stand for my name, but because the capital letter “A” is so fun to paint.

I modelled the hat on a stetson that I saw on the Stetson webpage. I like how I managed to keep the ears sticking out of the hat. Everything is really rough, lots of cracks, uneven coloration. I’m torn between thinking its not good enough and thinking that I love the imperfections, that anyone playing with this cowpoke will not only be in relationship with the “toy”, but also will be aware that there was a “maker”, also with imperfections.

I have a thing about “perfect” toys, mass produced or not.

Here the cowpoke is about to lasso themselves an opera singer.
shadows and reflections…
After I put the cowpoke and the opera singer on the shelf to marinate, I started to make a little wire dog. Under the wire dog are two paint brushes marinating in coloured water. Bad bad.
I also pulled out an armature I had made a couple of weeks ago. I had planned to return to this AFTER making the horse, but apparently I’m stalling on the horse (haha, unintended pun).
I added a skipping rope to the blue figure and hung it from a lamp. I’m really drawn to those “ropes” and hanging figures…because they move, or have the potential to.
As soon as I picked up the clay for this figure, my fingers immediately started to work differently as they applied the clay to the body. I wasn’t as focused on defining the limbs; rather, I started by creating clothes on the figure. It felt really different, and maybe that’s why I needed to sleep for a few days before returning to the figures.
I embedded a tiny stone in the figure’s chest.
Well, um, I really like doing this. Glad I found a retirement hobby…but I also have another hobby in retirement:

DIGRESSION in which I received the following TM:

LATER:

Interesting to note in the above screen-shot that all but one of my crypto choices are (were) in the red. Also interesting to note is my total investment is just over $200. I know my limit!

BACK TO THE MAIN STORY:

ART SCHOOL STUFF:

So, I went to my first class in FIN 140 this past week; our first assignment is an assemblage. Here is what I have done so far to get ready. We are to gather up 4 – 5 non-precious objects, do an object analysis, and then bring them to class with various connecting devices such as string, tape, glue.

(I’m taking two classes this fall, and I suspect there may be some competition between what I WANT to do and what I HAVE to do for my assignments. Lots of naps.)

Object #1. Found in a ditch, and is apparently a connector piece to hold together sections of temporary fencing. I love my ditch finds.
Object #2: A doll I bought at a thrift store several years ago. I have a box of such thrifty dolls, and I pulled her out for this project because she has a very weird face.
Object #3. I don’t know what this is really, but I think its for gas lines. Or maybe water? I like it because those two black things move. And because it has the word “no” on it…heh, or likely that’s the word “on”.
object #4: this is a tiny bottle I found on a beach. It may be too small for this project.
Object #5. A thrift store find several years ago, I like this because it still works. It too might be too small for the project.
Object #6: the top of a much longer bottle. I forgot to take a photograph of the whole bottle because I got distracted…as I will demonstrate below.
Doll looking through bottle #1
Doll looking through bottle #2
Doll looking through bottle #3

And then, because I was into taking photographs of the doll, I kept going…

Poor thing is merely a repro.
But she has a great face and doesn’t seem to mind her status as a repro. I detect a slight smile on her lips, although her eyes look a little deadened.

I wonder what is in the light in the middle of her eye?

Okay, enough with the doll already. But I’m putting these pictures in here to remind myself (if I ever read this again) that I tend to get carried away with figures, especially human (doll) figures. Because yeah, I had a lot of fun on Friday night taking those photos.

RESEARCH

Tardigrade Research

A New Type of Tardigrade (2018)

https://www.scientificamerican.com/article/a-new-type-of-tardigrade-just-turned-up-in-a-parking-lot/

DOLL MAKING RESEARCH

WIG MAKING:

Because I have quite a bit of human hair, and because I’m currently working on model figures, some of which have hair, I’ve been curious about how to best add the hair to the figures. Last week I made the opera singer, who has long grey hair, but I just fumbled around with attaching hair to their head. I thought it might be a good idea to find out a better way (better ways?) to work with hair. The following video is a start in that direction. It actually looks really easy.

https://www.adelepo.com/blog/2017/07/make-a-wig-for-a-doll