Heat Map, Legs, A Slightly Damaged Fence, Wingspan, Broken Glass, Bamboo, That’s Some Dance!

Heat Map, 54″ x 24″. Charcoal and Pastel.

I see this male figure as both arising from and sinking into a hot, melting landscape. The cool areas are an illusion. The creator is the destroyer.

Legs. 18″ x 24″. Charcoal and pastel on vellum.

I love the angularity of these legs.

A Slightly Damaged Fence. Charcoal and pastel on vellum. 18″ x 24″.

In the writing I’ve been doing recently, I’ve been drilling down to identify my passions, and one of the things that I’m exploring is a love of pattern. This fence is the first exploration of this.

Wingspan, charcoal and pastel, 18″ x 24″

This particular drawing has several layers as I kept trying to get to where I thought I was going; I never quite got there, and I’m dissatisfied with where it sits at this point. I’m going to let it sit for a while, and get back to it after a few days of hanging it on the line where I can look at it casually from time to time.

When I photograph the sketches as they “cure” on the line, other pieces I’ve made show up beside it, behind it, and shadows sometimes fall across the paper. I’m enjoying this accumulation of figures, both 2D and 3D, as they inhabit the space in whatever ways that they will.
Bamboo. 18″ x 24″. charcoal and pastel.
That’s Some Dance, pastel. 18″ x 24″

Drawing with colour…

…and pastel…

I have a number of “projects” that I’m working on, or planned, for the next few months. Right now, while I’m gearing up for the other things I am doing, I’m focusing on drawing with pastels. I also have a small air-dry clay sculpture on the go, but I have ordered a back-iron, a contraption that will help me to make sculptures without having them collapse from the weight.

In my last blog post I included an earlier version of this drawing, not realizing that it wasn’t complete.

I Really Love Your Outfit is a 22 x 30 inch drawing I started working on while seeing outfits from the Met Gala appear on social media. I always find the disconnect between environmental degradation and the “follies” of star culture to be jarring. To the left of this figure is Comox Lake, the local source of water for the communities in the watershed, which has been damaged by logging, especially around Comox Lake but also around the whole watershed. For several years, water advisories were necessary because of increased silt levels in the water supply.

Final Sunset, another 22 x 30 piece, is inspired by my sense of present and impending cataclysm, both political and environmental.

I find it impossible to draw anything that does not include some sort of comment on how humans inhabit a dying planet. I am astounded by and curious about my own willingness to continue to turn over my van’s engine, to turn up the heat in my apartment, to run water from a tap. My own contradictions bother me and I try to turn my face away from the contradictions of others, at least until I can get my own under control.

This past winter I did a sketch in my drawing class which I called The Man Who Reached Into Himself. I decided that I wanted to try to turn the drawing into a small sculpture; unfortunately I didn’t plan well enough, and the weight of the air-dry clay on the armature has caused knee-collapse. I’ve got a back-iron on the way, and although I still plan to finish this one, I will make another one using the back-iron, which will provide stability to the armature while I am working on the piece, and until the clay dries.

Another mistake I made while creating the armature was starting with one of the hands. I really wanted the hand to be large, I wanted it to look a certain way, and was impatient to get the first hand made. I wouldn’t advise this as a good strategy (driven, as it is, by impatience); much better to get the torso and legs created and then add the hands, feet, and head afterwards, but there it is. That’s what I did and the whole process made me feel unbalanced as I made this piece in an unbalanced way. I do, however, like the hands, and am looking forward to finishing this piece.

This is a 20 minute sketch from a drawing class.

The 20-minute sketch turned into The Man Who Reached Into Himself. I prefer the original sketch to the one I ended up with after I took it home and kept adding colour, but this is the sketch I used to develop the sculpture.